Ashish Art Line Publicity
Gaushala Road, Naugachia ,
Dist : Bhagalpur, Bihar
Mob : +91 99346 21785
A Fine Artist,
Graphics Designer, Creative Designer and Web Designer
Cum All India Chief Cordinator of Rashtriya Gramin Vikas Trust, New Delhi
Corporate Office :
Gaushala Road, Naugachia
Also Deals in :
Flex Banner, Signboard, Glow Signboard, Hoardings,Wallrape, Stone excavation , Venyle Print, Digital Prints - Sticker Print, Multicolour Visiting Card, Offset Print - Handbill, Poster, Letter Pad etc.
One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture."[2] In that sense, there are conceptual differences between the fine arts and the applied arts. As originally conceived, and as understood for much of the modern era, the perception of aesthetic qualities required a refined judgment usually referred to as having good taste, which differentiated fine art from popular art and entertainment.[3]
The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline according to traditional Western European canons.[citation needed] This definition originally excluded the applied or decorative arts, and the products of what were regarded as crafts. In contemporary practice these distinctions and restrictions have become essentially meaningless, as the concept or intention of the artist is given primacy, regardless of the means through which this is expressed.[citation needed]
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According to some writers the concept of a distinct category of fine art is an invention of the early modern period in the West. Larry Shiner in his The Invention of Art: A Cultural History (2003) locates the invention in the 18th century: "There was a traditional “system of the arts” in the West before the eighteenth century. (Other traditional cultures still have a similar system.) In that system, an artist or artisan was a skilled maker or practitioner, a work of art was the useful product of skilled work, and the appreciation of the arts was integrally connected with their role in the rest of life. “Art,” in other words, meant approximately the same thing as the Greek word techne, or in English “skill”, a sense that has survived in phrases like “the art of war,” “the art of love,” and “the art of medicine.”[4] Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton (e.g. The Ideology of the Aesthetic), though the point of invention is often placed earlier, in the Italian Renaissance.